Friday, October 14, 2011

Fall Song


I'm always particularly drawn to poetry in the autumn, when everything is burnished and falling. I love how Mary Oliver captures it here:

Fall Song, by Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this Now, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries--roots and sealed seeds
and the wanderings of water. This

I try to remember when time's measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay--how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

Thursday, October 13, 2011

Ablation


Ablation

Water blues in the ice bowl, thick as blubber rendered.
I plump and fur with desire
to belly into it, and so I do. I seal
I seal I seal myself
and sluice into the glacier's blue pool.

What I leave behind: camera, pen, crampons.
What I take: heat, held breath.

This is a dream I have again and again.
My fingers flipper sometimes, I swear.
My eyes turn into cryonitic holes, sediment
of ice and earth.

I ablate. I glaciate.
All along I have wanted to be ice
or something that thrives in it. Ice worm.
Bow head. Blue light.

Tuesday, October 4, 2011

Little to Show


After taking a few days off to work on other projects, I designated this morning to writing. Since I sat down at my desk two hours ago to begin, here’s what I’ve accomplished:

• Filed my nails
• Paid my credit card
• Watched a short on-line documentary about a family friend with ALS
• Read and responded to several emails
• Browsed the sale items on Anthropologie.com and Banana Republic.com
• Updated my list of ideas for Christmas gifts for friends/family
• Brewed several cups of tea
• Reorganized my tea drawers
• Made a list of friends to whom I want to send hand-written letters
• Brushed my teeth
• Read an article about writer’s groups in Poets and Writers
• Ordered a book on Amazon.com that I hope will inspire me to get productive

Here’s what I have not accomplished: writing one meaningful word related to my own writing projects. This question is plaguing me lately: why do I often avoid writing, when I profess to devote my days to it? I’m blessed to have been able to create a lifestyle that allows me ample time to write, yet I often fritter that time away, as I have today.

This is not an insightful or salient post, and for that I apologize. I’m only posting it because I promised myself I would update my blog today, which I’ve been avoiding lately because writing has felt extraordinarily difficult and I haven’t come up with anything that seems worth sharing. So this post is the dark truth about the writing life: sometimes there’s little to show for it.

Wednesday, September 14, 2011

Bigger and Better


A running joke up here is that everything in Alaska is on a larger scale than other places—our mountains, our glaciers, our winters, our mosquitoes are all epic. So are our viruses, apparently. I’m just recovering from a late summer flu that has lasted two weeks. I had another two-week flu in the spring as well. As much as I love Alaska, I do tend to get sicker up here. During my Arctic years, I was constantly down with strep throat, bronchitis or some sort of virus.

My roommate in Anchorage is a doctor, and I asked him if the viruses up here are different and more virulent. Yup. Turns out they are. So, that’s one aspect of Alaskana that doesn’t enamor me, but I’m still sufficiently placated by all that does enamor me to overlook the beastly viruses. I’ve spent my recent sick time reading a stack of new books by authors as obsessed as I am with the North.

Bill Streever’s Cold: Adventures in the World’s Coldest Places considers frozen landscapes, the animals and cultures who have adapted to live in them, and the scientists, explorers, and adventurers who are drawn to them. Sara Wheeler’s The Magnetic North: Notes from the Arctic Circle wanders the top of the globe, investigating each region of the high north: the Asian Russian Arctic; the Alaskan Arctic; the Canadian Arctic; Greenland; Lapland, Svalbard, and the Scandinavian Arctic; and back to the European Russian Arctic. Wheeler’s quests are guided by two questions: What can the Arctic tell us about our past, and what can it tell us about our future?

Seth Kantner was raised in a village very near where I lived in the Arctic, and his novel Ordinary Wolves is a vivid, gritty, plaintive song about life in the remote world of snow. He does not paint a rosy portrait of Arctic life, but it is a compelling one. Kantner’s memoir about his own Arctic life, Shopping for Porcupine: A Life in Arctic Alaska is a fun read with fun photos.

Elizabeth Bradfield’s book of poems, Approaching Ice, travels to the far North and far South. Bradfield evokes the early polar explorers and the poetics of ice terminology itself in her poems that are as chiseled, bony, and alluring as the ice that fascinates her. I had the great pleasure of working with Liz at the Wrangell Mountains Center poetry workshop in August. She is a lovely poet, teacher, and person.

Next on my to-read list is Nancy Lord’s new book Early Warming: Crisis and Response in the Climate-Changed North. I’ll admit to feeling some trepidation about reading this book about the accelerating decline of the icy landscape I love.

For eye candy, I’ve been perusing photo books on glaciers and snow: Sculpted by Ice: Glaciers and the Alaskan Landscape, by Michael Collier; Glacier Ice, by Ed LaChapelle and Austin Post; and The Art of the Snowflake by Kenneth Libbrecht. And for eye candy + ear candy, a friend and I watched Sigur Ros’s documentary film Heima, which tracks the Icelandic band on an intimate tour of performances in remote settings in Iceland. The film is gorgeous, and Sigur Ros’s music feels to me to be a soundtrack of the North.

I might get sick a lot up here, but T.S. Eliot said that the essential advantage for a poet “is not to have a beautiful world with which to deal; it is to be able to see beneath both beauty and ugliness; to see the boredom, and the horror, and the glory.” My appreciation of the North, virulent viruses and all, remains in good health.

Tuesday, September 6, 2011

Home


Summer ends fast in Alaska. The weather here already feels fully fall-ish. The birch trees on my street are yellowing quickly, and the skies have been deep gray. Just down the coast in Girdwood, where my brother lives, the sky has poured rain for three days straight. A lot of Alaskans go away in the fall to escape the gray and rainy weather, but I’m enjoying it. Summer always feels a bit manic and raucous to me, and felt particularly that way in McCarthy, where I was never able to fall into anything resembling routine or continuity. I’m happy the weather is cooling and the days shortening. I’m ready for some quiet. I’m cozy in the thick wool sweater I bought in Ireland in the spring.

In August, a lot of family came up to Alaska for my brother’s wedding in Girdwood. For many, this was their first trip to Alaska. The newcomers were all duly impressed with the spectacular beauty of this landscape. My cousin Susannah summed it up best when she said “I see now why people come to Alaska and never leave again!”

My dad is antsy about the holidays already. “When are you coming home?” he asked me twice last week. By home, he means where he and my mom live. He asked me the first time in a phone call, and my reply of “I don’t know” apparently didn’t stick, because yesterday he sent an email to reiterate the question. My dad loves a celebration, and he’s eager to start planning the holiday festivities. He also wants, I know, to have a fixed date on the calendar when he can look forward to seeing me again. He misses our frequent visits when I was living in the state next door to his. This, alas, is the drawback to living amidst the beauty of Alaska, which is far away from many people I love.

“I don’t want to think that far ahead yet, dad,” I told him today, though. I’m enjoying Anchorage again. I’m happy to be home, which is where I live. I don’t plan to disappear up here forever, but for now, I’m happy to be just here. To just be here.

Saturday, July 16, 2011

Flux



I’m sitting with a McCarthy geologist high up on a mountain slope, in a meadow cleared by an avalanche run, looking out at the Copper River basin and the peaks of the Wrangell and Chugach Mountains. The Chugach, farther away, are blue-toned by distance. The Wrangells are closer and loom larger. From the right vantage point, we could also see the St. Elias range in Canada, not too many miles away. Most of the peaks are icy and craggy. Huge ice falls spill down off the peaks. Glaciers wind through them and spread thickly through the valley. To me, nothing looks or feels more stable, more immovable or immutable than mountain ranges. Where oceans and rivers teach me about flow and tidal motions, mountains always make me think of stability and what the mystics and contemplatives and yogis call “being grounded.” Permanence. Strength.

The geologist begs to differ. “This whole ecosystem,” he tells me, “is an ecosystem of disequilibrium. In fact, it’s an ecosystem of disintegration.”

He gestures out to the miles of silt-covered glaciers spread out in the valley beneath where we’re sitting. From here, they look like huge piles of gravel, static and still. But they’re not. “They’re moving,” he reminds me.

A glacier is, by definition, a moving mass of ice. If we were patient enough to sit here all day, we might actually be able to see them move. The glaciers we’re looking down on move forward by more than a foot each day. True, from this vantage point, high up in the mountains, it’d be nearly impossible to notice such a small change. But down on the glaciers’ surfaces, glaciologists track and measure the movement carefully, and down there, it’s noticeable.

“Even the mountains are moving,” the geologist explains. “These glaciers that flow down through the mountains are slowly but steadily moving the mountains along with them.” He points out the huge boulders—called glacial erratics—that are scattered along the mountain slopes and near the edge of the glaciers and tells me they were carried by the glacier from higher up the mountain and deposited down lower as the glacier receded. And the silt that covers the glaciers is rock dust from the glacier’s gradual mining process as it passes along the mountain’s rocky slopes. It’s evidence that the mountains are being ground up and carried away. They’re being broken. They’re falling apart.

“This space that looks stable and solid, it isn’t,” he tells me, leaning in closer for emphasis. “Everything living here is in a situation of instability.”

We both sit for a moment. It’s warm up here on the sunny, south-facing slope on which we’re perched. Thankfully, it’s a breezy day so the mosquitoes are held at bay. Scrub willow, cow parsnip, fire weed and horsetail, a prehistoric plant that is reputedly the oldest plant on earth, rustle in the breeze. The air is scattered with bird song.

“And when you go deeper,” he says, “the mountains are actually formed by disintegration. These mountains are, in large part, formed by fossils—by the petrified bodies of dinosaurs and other creatures that used to be alive.”

He unzips his backpack and takes a drink from the glass jar he totes his water around in. “These mountains are full of death,” he says, then swallows some more water.

At his home, his window sills are lined with the fossils he and his wife and daughters have found while hiking up on these slopes and down in the valley. Fossils with the fine, clear markings of spiraled sea shells—an undeniable reminder of the totally different ecosystem and landscape and lives that used to inhabit this valley.

And then he says the one, simple truth I’ve spent the last few years—in the Arctic and in the desert, in my relationships and in my faith, in my despair and my hopefulness—trying to accept:

“Everything is in flux. You can’t count on anything to stay the same.”

Friday, July 8, 2011

Water from a Good Source





A river—McCarthy Creek, as it’s called—runs right through McCarthy. It is wide and shallow and large rocks lie along its beds. It pools in deep, still eddies along its banks, which are an ideal place for gathering water the community needs for drinking and cooking. But no one gathers water here. Instead, everyone walks farther away from town to a smaller creek and fills their buckets there to haul back in wheeled carts to town.

I asked a local why this happens. Both creeks are glacial fed. Why not take the water from the source closest to town?

“By the time it gets here, McCarthy Creek is farther away from its source,” Greg said.

“So?” I asked.

“So that means it covers more distance, which means more likelihood it flows past the carcasses of dead animals on its way to us. The further the water travels from its source, the greater the likelihood of contamination along its way.”

The same basic principle applies to my life as well. Once again, I find in the natural world a metaphor I need. The farther I get from my Source, the likelier I am to get contaminated by some sort of decay. My waters get less pure. My flow becomes obstructed.

I don’t know how to define or label what my Source is, and I’m okay with that. I don’t need defendable answers. I’m Living the Question, as the mystics of all traditions say. Sometimes I call my Source God. Sometimes I think of it as the Divine Indwelling. My Buddhist friends call it the Buddha Nature. Sometimes I think of my Source simply as my soul, my spirit, or my heart. Whatever I choose to call it (and some days I don’t call it anything), I can feel it. I know when I’m close to it and living from it. I’m aware. I’m present. I’m centered. I’m authentic. I’m honest. I’m compassionate. I find it through meditation, through prayer and contemplation, through art and poetry. I find it in friends and in community and in the beauty of the natural world.

When I stray from these cool, clean waters, I get contaminated. I start to envy. I start to feel jealousy of others. I start to fixate on the things I’m lacking rather than expressing gratitude for the abundance I have. I start to long for some things and resist other things. I get angry and irritable. I get competitive. I get judgmental and harsh, with others and with myself. I’m full of death, and then no one wants to drink from my waters, least of all myself.

Greg walked away, and I immediately dumped the bucket of water I’d just collected from the nearby McCarthy Creek. I was thirsty, and headed with my empty bucket up to the better source.
Keep walking, though there's no place to get to.
Don't try to see through the distances. That's not
for human beings.
Move within, but don't move the way fear makes
you move.
Let the beauty we love be what we do.
There are hundreds of ways to kneel and kiss
the ground.

-Rumi